modes of limited transposition造句
例句與造句
- Messiaen's modes of limited transposition, another of his favorite techniques, are also used.
- So I'm still very fond of writing things in the same modes of limited transposition that he used ."
- Messiaen continually evolved new composition techniques, always integrating them into his existing musical style; his final works still retain the use of modes of limited transposition.
- Olivier Messiaen in his work " The Technique of my Musical Language " developed what he called Modes of limited transposition which displayed a special type of symmetry and which he used in numerous compositions.
- "' Olivier-Eug鑞e-Prosper-Charles Messiaen "'(; December 10, 1908 April 27, 1992 ) was a French composer, organist, and melodically it often uses " modes of limited transposition ", which he abstracted from his early compositions and improvisations.
- It's difficult to find modes of limited transposition in a sentence. 用modes of limited transposition造句挺難的
- Eric Walter White suggests and dismisses the possibility that the Petrushka chord is derived from Messiaen's " second Modes of limited transposition " ( the octatonic scale ) in favor of a " black key / white key bitonality " which results from, " Stravinsky's well known habit of composing at the piano ."
- His representative work The Complete Thesaurus of Musical Scales is reviewed by Dr . John Kuzmich ( senior columnist of Jazz Education Journal, International Association for Jazz Education ) as " It's worth mentioning that this book comprehensively covers all theoretical possibilities in constructing scales & & Take this Thesaurus Scales seriously, you will not be disappointed in the options available for jazz improvisation . " The Subsets of Limited Transposition ( which takes Olivier Messiaen's Modes of limited transposition and brings it up to now ) and Appendix : Scales for Jazz Improvisation in The Complete Thesaurus of Musical Scales are very helpful to organize musician s mind and ear . The Subsets of Limited Transposition was introduced in The Complete Thesaurus of Musical Scales, Symmetrical Scales for Jazz Improvisation and his academic article, A Creative Approach to Multi-Tonic Changes : Beyond Coltrane's Harmonic Formula ( Annual Review of Jazz Studies 12, 2002 ) . The concept of The Subsets of Limited Transposition has been updated by the most recent Lexicon of Geometric Patterns for Jazz Improvisation as Systematized The Subsets of Limited Transposition Families . Chapter VI of Lexicon of Geometric Patterns for Jazz Improvisation is also given to Messiaen s Modes for Jazz Improvisation